论西洋歌剧的民族性(十):法国的民族歌剧(上)

On the national traits of Western opera(10):French opera(Part 1)

(接上期)(一)法国民族歌剧发展概况科贝《西洋歌剧故事集》谈到法国歌剧时,把西洋歌剧发展的脉络梳理得十分清晰:"格鲁克、瓦格纳和威尔第,每人都总结了一个时代。格鲁克是莫扎特以前的歌剧流派发展的顶点。莫扎特是两派歌剧的创始人。"这里用"创始人"未必准确,应是莫扎特之后影响所及的歌剧两大流派。这两大流派的歌剧:一派以意大利喜歌剧为代表。在莫扎特的《费加罗的婚礼》《唐璜》的影响下。

For decades,China’s operatic scene has been shrouded by“foreign accents and foreign tunes,”generating much debate and controversy.Playwright and librettist Huang Qishi,who served as Vice President of the China Opera and Dance Theater,discusses the issue of nationalism in Western operatic history,shedding light on the present and future of Chinese opera.