摘要
直到近三十年前后,夏洛特·史密斯这个被遗忘了近两百年的名字,才重新在欧美学界获得重视。目前国内外学者多将史密斯归为英国浪漫派作家,探讨她与浪漫主义经典作家尤其是与华兹华斯和柯勒律治之间的联系与差异,也有少数学者认为应将其归为新古典主义诗人,然而很少有学者注意到,身处从新古典主义到浪漫主义时期过渡阶段的史密斯在诗歌创作理念及实践上的独特性。本文将史密斯的诗学置于上述过渡阶段的语境下讨论,围绕抒情范式、想象力以及崇高感的认知来客观审视其诗学观及其在这一过渡阶段中所扮演的角色。
Charlotte Turner Smith has been a forgotten name for around two hundred years.Not until the last three decades did she enjoy a critical renaissance.Most scholars both at home and abroad tend to classify her as a British Romantic poet,focusing on her connections with as well as differences from the canonical British Romantic poets,whereas a few scholars approach her as a Neoclassical poet.Regrettably few have paid sufficient attention to the unique poetics of her as a poet living in the transitioning period from the Neoclassical to the Romantic period.By locating her poetry and poetics in the transitioning period,this paper attempts to discover the neglected aspect of her poetics,including lyrical mode,perception of imagination and of sublimity,all of which are important concepts of poetics during that transitioning period.
作者
陈师琴
Chen Shiqin(English Department,Shenzhen University,Shenzhen,Guangdong Province,China)
出处
《外国文学》
CSSCI
北大核心
2020年第1期38-48,共11页
Foreign Literature
基金
深圳大学人文青年扶持项目“儿童的隐喻——英国浪漫主义研究新视角”(QNFC1831).
