故宫博物院藏康里巎巎跋《职贡图》残片研究

Study of Kangli Naonao’s Postscript Fragment Piece on Illustrations of Tributaries Collected by the Palace Museum

康里巎巎书法包括题跋墨迹等,目前传世约有十余件,而又有一件较少披露者,藏于故宫博物院,即曾入藏清内府、经《石渠宝笈》著录、目前藏于国家博物馆的传阎立德《职贡图》后的康里巎巎题跋。故宫所藏者为一段残片,仅余首七行。从书法风格来看,有笔锋尖利和迅疾恣肆之态,与《杜秋娘诗》卷接近,应为40岁以后中期的作品。国家博物馆又藏有此跋末尾两行及王余庆跋半段,可资参证。此为研究康里巎巎书法提供了重要样本。

Kangli Naonao’s(1295-1345)surviving calligraphy works,including inscriptions and postscripts,amount to approximately above ten pieces.Yet there is still another one collected by the Palace Museum that is not frequently revealed,namely his postscript on Illustrations of Tributaries(Zhigong tu).The painting is attributed to Yan Lide.Once collected by the Qing imperial palace,recorded in the Precious Collection of the Stone Moat(Shiqu baoji),and now kept in the National Museum of China.This postscript collected by the Palace Museum is a fragment of first seven lines.Its impetuous,sharp,unrestrained brush style is close to that in the scroll Poem on Du Qiuniang(Du Qiuniang shi),indicating that it should be a work created after he was forty years of age.The National Museum also kept another piece with the last two lines of Kangli’s postscript and half of that by Wang Yuqing,which serves as a piece of evidence for reference.This gives an important sample for the study of Kangli’s calligraphy.