日本江户时期汉诗创作范式的嬗变

The Transformation of the Paradigm of Chinese Poetry Creation During the Edo Period in Japan

日本汉诗深受中国诗歌的影响。江户时期汉诗创作学习的范式先后经历学明诗、学宋诗、学清及兼综各代的演变。江户中期享保以来,蘐园诗社众人和木门弟子倡导学明诗,以李攀龙、王世贞等明七子为榜样,汉诗创作模拟唐诗。江户后期宽政以降,江湖诗社诸子提倡学宋诗,标举苏轼、欧阳修,反对模拟,主张书写真实的日常生活。江户晚期,广濑淡窗等人提出学清诗,进而主张兼学历代之诗,汉诗创作多元师法。每一次转变,都受学术思潮的影响,都体现了新的唐诗观念。

Japanese Chinese poetry is deeply influenced by Chinese poetry,and its creation is also based on Chinese poetry as a regular script.The paradigm of learning and creating Chinese poetry during the Edo period has evolved from learning Ming poetry,learning Song poetry,learning Qing poetry,and poetry from various dynasties.Since the mid Edo period,the members of the Xuanyuan Poetry Society and the disciples of the Mumen sect have advocated learning Ming poetry,using Li Panlong,Wang Shizhen,and other Ming seven sons as role models to create Chinese poetry that imitates Tang poetry.In the late Edo period,after leniency,the disciples of the Jianghu Poetry Society advocated learning Song poetry,praising Su Shi and Ouyang Xiu,opposing simulation,and advocating the writing of real daily life.In the late Edo period,Hirose Tanzo and others proposed learning Qing poetry and advocated learning from poetry from various dynasties,with a diverse approach to Chinese poetry creation.Every transformation is influenced by academic trends and reflects a new concept of Tang poetry.