作词与否:朝鲜半岛词文学创作观念梳论

To Write Ci or Not:On the Concepts of Writing Ci Literature in the Korean Peninsula

词文学在朝鲜半岛一直绵延不辍,但又未能成为引人注目的文体。面对中国词体谨严的格律及语言上的差异,半岛文人就是否作词产生了意见分歧。或是认为音异律严,半岛文人难以实现声律谐协,强作不如不作;或是认为声音之异非所患,主张以朝鲜半岛音声作词,打破中国词体规范。与基于音律差异而产生的创作异见不同,半岛文人在反艳语、强调雅正教化上又保持了高度一致。朝鲜半岛词文学对词体格律的突破,以及未能形成自身的本色风格,与半岛文人词文学创作观念紧密相关。

Ci literature had been continuous in the Korean peninsula,but it had failed to become an eye-catching style.Faced with the rigorous metric of Chinese Ci styles and the differences in language,the peninsula literati had different opinions on whether to write Ci or not.Some people thought that the difference of sound was strict,and it was difficult for the peninsula literati to realize the harmony of sound and rhythm.So it’s better not to do by force.Some others thought they can write according to the music and rhythm of the Korean peninsula and break the norm of Chinese Ci without worrying about the difference in sound.Different from the above creative concept,the peninsula literati maintained a high degree of consistency in opposing eroticism works and emphasized the elegance and orthodoxy.The breakthrough of the Ci literature in the Korean peninsula and its failure to form its own natural style were closely related to the Ci literature creation concepts in the peninsula.