“以复古为解放”——徐中玉古代文论研究的审美意识

“The Retro for Emancipating”:Xu Zhong-yu’s Research on Aesthetic Consciousness in Ancient Chinese Literature Theory

新时期初,文论界以主张文学的审美特性来破除文学工具论,这一文学审美意识也贯穿于徐中玉先生的古代文论研究中,他以揭示古代文论中的文学审美意识来破解特殊时期的文学工具论,可谓"以复古为解放"。这体现在三个方面:为古代文论研究拨乱反正,揭示古代文论的艺术创作规律,发掘古代文论中文学审美意识的深层内涵。

At the beginning of the New Period,literary theorists tried to break the instrumental theory by advocating the aesthetic feature of literature.This literary aesthetic consciousness also runs through Mr.Xu Zhongyu’s research on ancient literary theory.He tried to break the political compulsion of literary instrumental theory by revealing the aesthetic consciousness in ancient literary theory,which can be described as“the retro for emancipating”.This is reflected in three aspects,to bring order out of chaos for the research of ancient literary theory,to reveal the law of artistic creation in ancient literary theory,to explore the deep connotation of aesthetic consciousness in ancient literary theory.