从反传统到珍视传统——王元化论京剧艺术表现力的民族性

From Anti-tradition to Cherishing Tradition:Wang Yuanhua’s Artistic View of Peking Opera

作为文学理论家,王元化不仅在《文心雕龙》研究中有着开创性的学术贡献,而且在传统京剧研究方面也有独到的研究和阐述。更有意思的是,他从早年接受五四反传统精神,对于京剧采排斥的态度,认为其中封建落后的内容是中国文化中的糟粕。到晚年他对中国思想史和文化史反思,对京剧的文化传统和艺术表现形式也进行了深刻的研究和思考。本文从意识形态史和中外艺术比较研究的角度分析王元化关于京剧表现艺术与西方艺术异同的论述,并对王元化于传统文化和艺术价值理论的第三次反思进行客观评价。

As a literary theorist,Wang Yuanhua is not only unique in the study of Wenxin Diaolong,he also has a unique research on traditional Peking opera.From the early years of accepting the "May 4 th" spirit of literary and artistic warriors to reflecting on the history of modern Chinese thought in his later years,Wang Yuanhua also had profound research and thoughts on the cultural traditions and artistic expressions contained in Peking Opera.This article analyzes Wang Yuanhua’s thinking on Peking Opera on the background of ideological history and comparative study of Chinese and foreign art,and makes an objective evaluation of Wang Yuanhua’s third reflection on traditional culture and art value theory.