摘要
"逸民"是恽寿平的生存状态,也是他对画家的期待与肯定。"逸品"是高逸之人抒发逸气创造的,逸品画必须具有超越性与本真性,具有笔墨逸宕、风味幽淡、极妍尽态的形态特征。"意境"的实现同样建基于超越性与本真性。"逸品"在创作者、作品和接受者三重关系运动中实现"意""境"浑融使视域融合之"真"显现,这就是"意境"的实现过程。
The noble recluse was Yun Shouping’s living condition,and he expected and affirmed that the painter became a noble recluse.The free and leisurely arts were created by noble recluses to express their true thoughts and feelings. The free and leisurely arts must have transcendence and authenticity,their brushes and inks went beyond conventions,their style was quiet and elegant,and their images were very beautiful and lifelike.The realization of"Yijing"was also based on transcendence and authenticity.In the movement of triple relations among creators,paintings and receivers,free and leisurely arts realized the integration of thoughts and realms,and presented the truth of the worlds.That was the process of the realization of"Yijing".
出处
《古代文学理论研究》
2019年第2期494-509,共16页
Studies of Ancient Chinese Literary Theory
关键词
恽寿平
逸民
逸品
意境
Yun Shouping
noble recluses
free and leisurely arts
Yijing