“神气”论

The Theoryof Shen-Qi

作为文气阐释传统中文本之气的重要组成部分,有关神气的阐释,在不同的历史时期、不同的研究者眼里呈现出不同的特质,成为经典阐释中"内在路径"研究的重要面向。在早期的思想文化语境中,"形、神、气"三者,"神"、"气"高于"形","神"高于"气",尔后的诗、书、画论中,主张神气合一,讲究"神合气完"则是主导倾向。刘大櫆的"神气音节"说,作为桐城"义法"的完善,最终将难以把捉的神气归结到具体可感的音节、字句上。

Interpretation about Shen-Qi,what is an important component of Qi in the texts in Wen-Qi’s traditional interpretation,shows different peculiarities to different researchers in different period.So it becomes an important aspect of"Endogenous Pathway"in traditional interpretation.In early ideological and cultural context,among Xing-Shen-Qi,Shen and Qi are above Xing while Shen exceeds Qi.Later,the theory of Poetry,Literature and Art,which stands for the unity of Shen and Qi,makes Shen-He-Qi-Wan as the dominant tendency. As the perfection of Tongcheng’s Yi-Fa,Liu Dakui’s Shen-Oi-Yin-Jie theory puts invisible Shen-Qi into concrete syllables,words and sentences finally.