从运动事件词化模式看近代粤调曲艺中的语体因素

The Restrictions on Libretto-writing of Cultural Representations in Early Cantonese Folk Arts:From the Perspective of Motion Events

粤调曲艺唱本是传统文化的书面留存,其语言可被视为一种不同于口语或正式书面语的粤方言语体;这一语体既是方言演变的主体,也是方言演变的外因.基于认知语义学运动事件理论的分析显示:一方面,以木鱼、南音为例的近代粤调曲艺唱本中运动事件的表达在相当程度上反映了当时的粤方言;另一方面,来自官话的直接与间接影响,同曲艺创作的典雅需求和韵律需求一起,共同造成了粤调曲艺唱本的语体特异性及与其他类型粤语材料间的差异性.此外,语言内部规律在曲艺文本创作中同样发挥着重要作用.近代粤调曲艺唱本在运动事件表达上的种种表现正是在上述多方面因素的制约下形成的.

The language in Cantonese folk arts librettos,as a Cantonese register that is different from colloquialism and formal writing,is both the variant and the external cause in the evolution of Cantonese.Therefore,the history of Cantonese and Cantonese culture could be observed through the librettos.The quantitative analyses on the theory of motion events show,on the one hand,Cantonese culture does effect the libretto-writing in terms of the mode of thinking and expressing;on the other hand,the influence of modern Chinese,as well as the requirement of elegance and prosody in librettowriting,collectively lead the Folk Arts register to differing from other types of Cantonese texts.Furthermore,inherent cognitive rules also play an important role in literary creations.Thus,the expression of motion events in Cantonese folk arts librettos is a result of the above restrictions.