原型之变:四栋坊宅

Transformation of Prototype:Four Studio-Houses

四栋坊宅的其中三间,是建筑师张永和在1990-1995年间绘制的纸上建筑,其空间原型是西方古典法式与中国庭院空间结合的产物.相隔近30年建成的四栋坊宅,并非是按图索骥地建造,而是由原型生成的变型.四栋建筑在场所中由"看"的经验生成看的"建造",在空间和叙事的彼此修正下形成元素的多义性,在材料与结构的建构中形成物质的抽象性,在思维的反转下形成思辨的概念性.文章着眼于从纸上建筑到真实建造过程中的原型之变,结合非常建筑过往的作品,分析建筑形式从原型到变型所涉及到的综合因素,重新审视建筑本体形式语言的意义与应用.

Three of the four studio-houses were drawn on paper by architect Yung Ho Chang from 1990 to 1995 and their spatial prototype is a combination of Western classical taxis and Chinese courtyard space.The four studio-houses built nearly 30 years apart are not pure replications of the drawings,but morph types generated by the prototype.The four buildings generate the"construction"of seeing from the experience of"seeing"in the place while forming the polysemy of elements under the mutual revision of space and narrative,the abstraction of material with the tectonics of material and structure,and the speculative concept under the reversal of thinking.This paper focuses on the change of prototype from paper architecture to real construction,combined with the past works of FCJZ,analyzes the factors involved in the change of architectural form from prototype to morph type,and reexamines the significance and application of architectural formal language.