川渝当代城市雕塑记忆景观中的"视觉修辞"分析

Analysis of"Visual Rhetoric"in Contemporary Urban Sculpture Memory Landscape in Sichuan and Chongqing

在当代都市中,艺术家以雕塑为媒介建构了诸多记忆景观.若想考察城市记忆雕塑的话语观念,就不能忽视其在当代图像中基于"记忆生产"的视觉实践过程.通过对川渝当代城市雕塑的视觉修辞分析我们可以发现,在"记忆建构"中存在着一个不容忽视的"视觉之维",那就是,"视觉修辞"提供了一种通往"记忆建构"的研究路径.本文对当代城市雕塑中视觉记忆符号的来源、记忆呈现的时空编码及句法结构、视觉话语的"记忆建构"策略、记忆图像的叙事范畴等方面进行分析,有助于我们拓宽"记忆研究"的视觉向度.最后,文章从人文批评的视角,对当代城市雕塑记忆景观的视觉营造过程进行"反思"认同.

In contemporary cities,artists construct many memory landscapes through sculpture.If we want to examine the discourse concept of urban memory sculpture,we can’t ignore its visual practice process based on"memory production"in contemporary images.Through the analysis of the visual rhetoric of contemporary urban sculpture in Sichuan and Chongqing,we can find that there is a visual dimension that can’t be ignored in"memory construction",that is,"visual rhetoric"provides a research path to"memory construction".This paper analyzes the origin of visual memory symbols in contemporary urban sculpture,the temporal and spatial encoding and syntactic structure of memory presentation,the strategy of"memory construction"in visual discourse,and the narrative category of memory images,which will help us to broaden the visual dimension of"memory research".Finally,from the perspective of humanistic criticism,the paper"reflects"on the process of visual creation of memory landscape of contemporary urban sculpture.