两宋之际《诗经》阐释的求情与会虚

The Explorating Poetry Emotion and Deducting Abstraction about the Interpretation of Book of Songs in the Turn of the Two Song Dynasty

两宋之际的《诗经》学在文学阐释方面具有承前启后的影响与意义.其在以“情”解《诗》,肯定和体察人情、性情等方面比欧阳修等北宋学者更加深入和细腻.注重以文学本位阐释诗歌发生机制、绎诗篇主旨,求诗人之真情真性,对汉唐以来形成的“按迹求情”进行了驳正.基于文学性质的肯定而舍实会虚的阐释方法,使得对于《诗经》抽象问题和艺术表达能不拘于逻辑推理和历史考据,而突出情感体验和文艺分析.诸多经典论断的确立和文学阐释的风气成熟是此阶段《诗经》学的重要特色和价值所在.

The study of Book of Songs in the rum of the Two Song Dynasty has the influence and significance of linking the past and the futnre in literary interpretation.It is more profound and exquisite than Ouyang Xiu and other scholars of Northern Song Dynasty in explaining Book of Songs with human nature and emotion.In this period,scholars focus on the interpretation of the mechanism of poetry generation,the poetic theme and the t11le feelings of the poet.Many people have refuted the“discussion of human feelings according to the system”of the Han and Tang Dynasties.The affirmative and transcendental interpretation method based on the 1iterary nature makes the abstract and artistic expression of the Book of Songs free from logical reasoning and historical textual research.This highlights the emotional experience and 1iterature and art analysis.The establishment of many etassieal theories and the maturity of literary interpretation are the important features and values of Book of Songs in this stage.