从“女人”到“女神”——姜安《走出硝烟的女神》论析

From"woman" to "goddess"——Analyses of Jiang An's "The Goddess Walking Out of Smoke of Gunpowder"

姜安《走出硝烟的女神》承续了传统“红色经典叙事”将刚刚过去的“革命历史”经典化的功能,讲述革命的起源神话、英雄传奇和终极承诺,但也有自己的新创。她以女性视角观察和思考女性在战争中肉体与灵魂的痛苦裂变,及其在战争中获得的精神新生,最终让她们由“女人”升华为“女神”。这个叙事意图,是由“贞洁受伤型”、“政治受伤型”、“婚姻受伤型”等三类女性人物形象来实现的。姜安的历史叙事与充当“社会历史家”,把握“时代精神”,重构红色历史图景,以与意识形态化的历史观念、历史意识等权威历史话语“互证”的使命感密切相关。

Jiang an' s 'the goddesses walking out of smoke of gunpowder' bears and continues the function that red classical narrations make'revolutionary histories'that went over just classics. She does not only tell revolutionary origin mythology, the heroic legend and ultimate promise, but has her own creating newly. She watches and thinks women's painful fission of body and soul during the war with women's visual angle, finds out women's new spirituals which has been got during the war, and finally rises them from 'woman'to 'goddess'. The narration intention which is from'chaste and undefiled to injure by type',' type at politics'' type at marriages ', etc, three kinds woman images realize. With serving as'social historian', holding 'spirit of the times', reconstructing red historical views, Jiang An's history narrates connect closely with the mission sense of 'certificate each other' 'by ideological history idea and history consciousness, etc.