摘要
本文以"情景再现"为切入口,从固定镜头、运动镜头、动画影像等在《故宫》中的运用分析其如何通过影像语言来还原历史,并试图探讨"情景再现"这一表现方式在纪录片中的发展方向。
This article takes 'the scene reappearance' as the entrance of study,and from the aspects of using the fixedlens, so on; this artiele analyzes 'Imperial Palace'. And it attempts to discuss the development direction of 'the scenereappearance' in the documentary film.
出处
《新闻界》
CSSCI
北大核心
2007年第5期123-124,共2页
Journalism and Mass Communication
关键词
《故宫》情景再现
纪录片
'Imperial Palace' scene reappearance documentary film