摘要
本文从民族音乐学的视角切入,着重探讨壮族僧公祭祀音乐赖以生存的宗教观及其信仰习俗,解读其祭祀科仪与音乐的相互关系以及音乐在仪式中扮演的角色,分析其音乐的形态特征,从而说明它是不同于壮族本源音乐的另类传统音乐,是壮族重要的非物质文化遗产之一。
From the aspect of Ethnomusicology,the thesis attaches importance to discussion of religion and belief custom of the Sacrificial Music of Senggong of Zhuang Nationality,analyzes the relation between sacrificial ceremony and music and the role of music in the ceremonies as well as the form characteristics of the music so as to demonstrate that it is a unconventional music different from original music of Zhuang nationality,but an important nonmaterial property of Zhuang nationality.
出处
《艺术探索》
2007年第5期11-13,共3页
Arts Exploration
基金
教育部人文社会科学重点科研基地重大项目"中国少数民族宗教音乐研究"的部分成果。项目批准号:03JAZJD760005
关键词
壮族
僧公
做斋
信仰
习俗
祭祀仪式
祭祀音乐
Zhuang nationality,Senggong,religious custom,sacrificial ceremony,sacrificial music