从谭盾《交响曲1997:天·地·人》看编钟音乐之现代审美

Modern Aesthetic Appreciation of the beauty of chime bells——analyzing symphony:heaven ·earth.human composed by Tun Dun

古乐奏新韵,是当今一大音乐潮流。作为我国已经绝响多年的古乐器——编钟,自从沉睡地下两千多年的曾侯乙墓出土之后,就成为我国音乐人关注的热点。经过艰辛努力,当今乐界已掌握了编钟的奏法并创编、演奏了一系列编钟音乐作品,谭盾的《交响曲1997:天·地·人》堪称其中翘楚。本文从谭盾的交响曲《天地人》的分析入手,对编钟音乐的现代音乐审美进行探讨和思考。

Adapting the ancient music to the taste of modern ears has become a latest trend in contemporary music.As the ancient Chinese instrument,chime bells has been in the focus ever since it was unearthed more than two thousands years agoi in Zenghouyi tomb.Through grave efforts,people nowadays already master the performing techniques and a series of works of chime bells were composed,among which the symphony1997,heaven.erath.human composed by Tan Dun is one of the most outstanding.By analyzing this work,the author discusses and proves in the modern aesthetic appreciation of the chime music.