摘要
梅、兰、竹、菊等“君子画”题材所具有的象征意义具备了古代中国人理想的人文精神。这种画题的形成和发展与中国人讲修养、重品德的人生态度密切相关。元蒙政权建立所带来的社会政治文化生活的改变和元代文人士大夫绘画的大发展为君子画的兴盛提供了最适宜发展的土壤。从事君子画题材创作的人数众多,成绩斐然。元代君子画是中国传统绘画中的重要组成部分,对后世影响深远。
The symbolic sense of the painting subject of the four 'nobles': plum blossom,orchid,bamboo and chrysanthemum,has the ideal humane spirit of the ancient Chinese,whose formation and development are closely related to the philosophy of the Chinese,which focuses on cultivations and morals.Thanks to the establishment of the Yuan Dynasty,there was a great change in the social and political life of culture and the development of the paintings of the scholar-bureaucrat,which helped procreate the prosperity of the 'Noble' paintings.More and more artists joined in its creation,bringing about brilliant achievements.It is an important component element of China's traditional paintings and has exerted significant influence on the later generations.
出处
《内江师范学院学报》
2007年第3期150-152,共3页
Journal of Neijiang Normal University
关键词
元代
君子画
中国艺术
文化内涵
the Yuan Dynasty
'Noble' painting
Chinese arts
cultural connotation