审美无利害与报告文学的功利性

Critique of Judgment according to Quantity of Aesthetical Comparison with Reportage

康德在《判断力批判》中把"审美无利害"作为审美最基本也是最重要的特点,它有别于对善的追求所引起的愉悦。报告文学无法摆脱社会道德观念、摆脱对善的追求却与在一定程度上借助了道德的、具备无功利性的审美之间并无悖论。报告文学的社会功利性体现在创作的过程中,而审美的超功利性发生在审美主体的接受过程中。

Immanuel Kant began to analyze beauty in the 'Critique of Judgment according to Quantity'.He thought the satisfaction in the aesthetical was disinterested,which was the basis of the judgment of taste.And he distinguished the satisfaction in the aesthetical from the good.Neither the ideal of society morality nor searching good can reportage get away,but there is not binary opposition between reportage and the aesthetic which get the help from morality because the former is caused by written and the letter stands out during feeling.