摘要
张艺谋的“中国”想象(包括“民俗”、“女性”、“功夫”想象)以极端视觉化和唯美化的方式,通过中国／西方、看／被看的二元结构,完成了从中国化-国际化-市场化的进程。同时,张艺谋的“中国”想象也传达出他自身(也是中国电影)的两难处境与困惑。
China imagination of Zhang Yimou,including folk-custom imagination,female imagination and mar- tial arts imagination,with extremely visual and aesthetic style,which has completed its course from Chinese fea- ture to intemationalization and then to marketability through the dualistic structure of China and West,seeing and be seen.Otherwise,China imagination of Zhang Yimou also conveys the dilemma and bewilderment of himseff or China Film.
出处
《鄂州大学学报》
2007年第3期50-52,共3页
Journal of Ezhou University
