论影像叙事中的审美空间与画外构建——兼论中日电影空间的现代体验与传统意义

On the Aesthetic Space and Offscreen Construction in the Image Narrative——the modern experience of Chinese and Japanese movies and the traditional significance

当浩淼的时间冷漠无情地消失,空间就成为了人类自我救赎的唯一可靠的途径。在第五代导演这批强调媒介实验性的现代电影中,镜头尽可能地尝试着所有的语言规则,以极端的镜头空间诠释着自然空间,以审美空间征服自然空间;或积极运用画外空间叙事,第六代导演甚至出现了漠视物象空间的倾向。与之不同的是,强调本民族传统的日本电影更多地借用画面的造型元素,加之舞台剧与造型艺术的融合,使得画面空间十分考究;更擅长以具体的自然物象隐喻暗示抽象的精神状态,追求象外之象。应该说,日本电影对空间始终怀以相当的敬意。这与日本民族人口膨胀、居所空间狭小这个日益尖锐的矛盾不无关系。

When time wintrily and callously disappears,space becomes an only dependable path for mankind to redeem by themselves.In the modern movies by the fifth generation directors,which emphasize medium exper- iment,the lens tries all language rules possibly.The extreme lens space explains the natural space;the aes- thetic space conquers the natural space.Or the offscreen space is actively used to recount.The sixth genera- tion directors even have a tendency to ignore the image space.The difference is that the Jap...