摘要
我国美术院校长期以来实行用素描、色彩作为统一考试内容的考试制度。这种统一的标准适用于产业化、规模化的生产方式,不适用于教育,更不适用于艺术教育。这种没有专业区分的考试方法,本身就是对艺术精神的背叛,对于中国画这一典型的不同于西方哲学方式的艺术而言。更是南辕北辙。而我国直至今天还在坚持使用这样的方式,这对中国绘画艺术来说是破坏性的。
For a long time Chinese art colleges have practiced the examination system in which the skills of sketching and coloring were taken as unified contents.The unified standard is suitable for the production of en- larged scales and industrialization,but not for education,even not for art education either.This exam mode without profession distinction is a betrayal of art spirit.The difference between the typical Chinese painting art and the western philosophy method is just like“going south by driving the chari...
出处
《贵州大学学报(艺术版)》
2007年第1期74-76,82,共4页
Journal of Guizhou University Art Edition