摘要
演员在塑造角色时,难点在于自我与角色的关系.首先要区分开自我与角色,必须把自我隐藏起来,才能更好的创造角色,思想和情绪的反映才能完全从任务出发,从内心出发,这也就是表演的实质。演员自我与要塑造的角色,既有必然联系,又不能将二者合而为一,演员既是创造者,又是创造工具,也是创造的成品,可谓一身而三任。当然,如果只有自我而没有角色的话,便会"自我展示,自我扩张"。所以,演员的内部技巧和外部技巧既有区别又有联系,也就是体验与表现的辨证关系。
When an actor or actress is creating a role,a tremendous difficulty lies in the relation between the selfhood and the role.The actor or actress above all should distinguish the selfhood from the role.Only the selfhood is hidden can the role be well created.But the actor or actress doesn't entirely get into the mood.In this way the reaction of the thinking and mood can completely proceed from the task and the heart.It is the essence of performance.To some extent the actor or actress surely has a lot of chanc...
出处
《贵州大学学报(艺术版)》
2007年第2期84-87,共4页
Journal of Guizhou University Art Edition
关键词
自我
角色
体验
体现
selfhood
a role
experience
embodiment