赵孟頫:超越于“南/北宗”论域之外——彭修银先生“作家画体说”及“赵孟頫论”浅议

Zhao Mengfu:Out of the Theories of Both the South and North Sects——on the value and signification of Peng Xiuyin's theory about Author's Painting Style

在中国绘画理论史上,关于赵孟頫的归属问题长期存在争议。彭修银先生于其《中国绘画艺术论》中倡"作家画体"说,置赵孟頫于该系列之核心,是属新说。在我们看来,赵孟頫归属问题之解答,确有重新梳理传统绘画理论,发掘其间的思想资源之重要价值,进而为我们当今艺术的继承/创新提供观念上的支持及实践上的参照。

In the Chinese art theory history,there have been discussions on Zhao Mengfu's painting style and theory for a long time.Peng Xiuyin brought forward the a new theory in Author's Painting Style in the Chinese painting theory and put Zhao Mengfu into the center place of authors' series.In our opinion,it is very significant for both studying the traditional art theory and discovering the resource of Zhao Mengfu's theory to orient Zhao Mengfu's status,furthermore it can provide new ideas and practical model for...