《兰亭序》之“妍”与晋代审美倾向

The "Yan" of Lanting Preface and the Aesthetic Tendency in the Jin Dynasty

"妍"作为艺术术语和审美范畴的出现和使用自晋代始,其内涵是外在的形式的秀丽、精美、和婉,与媸相对,又有纯美完美之意。晋代是书法史上的高峰。王羲之传世作品《兰亭序》无论整体还是细节都体现了"妍"的风格。兰亭之妍与王羲之的师承有关,更重要的是受惠于地域特征,文风转变和社会风气。《兰亭序》纯美完美的艺术成就,则与晋代对艺术的自觉追求有关。

"Yan" has been used as a term of art and aesthetic category since the Jin Dynasty.Its inbeing is beautiful,exquisite,elegancy and soft in external forms,which is opposite to ugly.It also means perfectly and purely fine.Calligraphy of the Jin Dynasty was at the peak of the calligraphy history.The "Yan" style is manifested regardless of the whole or the detail of Wang's work,Lanting Preface,which has been handed down from one generation to the next.The "Yan" of Lanting Preface was related with Wang's inherita...