摘要
宫崎骏动画电影以其简约淡雅、清新自然艺术风格,悲天悯人的感伤情怀,卓然独立于世界影坛,受日本民族色彩观的影响,他崇尚自然事物和植物生命的原色,崇尚水的清纯无色,画面呈现上以青色为主色调,这直接成就了其动画作品的淡雅、朴素之美;宫崎骏在审美情趣上较多继承了日本传统艺术美的"物哀"精神,在作品中注入了自己悲天悯人的感伤情怀。本文试图揭示日本文化与宫氏动画美学风格的内在联系,并期对中国动画有所启示。
Hayao Miyazaki's cartoon film is well known in the world moviedom for its simple,elegant,fresh and natural styles,also its mournful and sentimental affection.The style is deeply influenced by Japanese culture.This paper aims at showing the inner relations between Japanese culture and the aesthetic style of Hayao Miyazaki's cartoons,hoping that Chinese cartoons can draw some inspiration from it.
出处
《贵州大学学报(艺术版)》
2007年第2期37-40,78,共5页
Journal of Guizhou University Art Edition
关键词
宫崎骏
美学风格
日本文化
Hayao Miyazaki
aesthetical styles
Japanese culture