摘要
21世纪初,国产商业大片渐成气候,但是它们在艺术上未尽如人意。其原因何在?从新时期以来中国电影理论批评的缺憾入手,寻找其部分根源,重点反思上世纪70年代末80年代初以白景晟的《丢掉戏剧的拐杖》等文章为代表倡导的电影观念革新所造成的负面影响。重新阐释了"戏剧的拐杖"的含义,认为当前国产商业片研究的重点之一就是对商业片的戏剧性美学的研究,它对于国产商业片的创作具有重要的指导意义。
In early 21st century,the domestic commercial films in China are gradually flourishing,but they do not come up to the expectation in arts.What is the reason? Starting with the drawback of the theoretical criticisms of the Chinese films in the new historical period,this essay tries to search out some causes.It mainly especially reassesses the negative effects of the innovation of film ideas that advocated by article represented by "Throw Away the Crutch of the Theater" written by Bai Jingcheng in late 1970s ...
出处
《贵州大学学报(艺术版)》
2007年第4期69-72,63,共5页
Journal of Guizhou University Art Edition
关键词
商业片
“戏剧的拐杖”
戏剧性美学特征
commercial films
The Crutch of the Art of the Theater
the theatrical aesthetics characteristics