巴赫无伴奏大提琴组曲演奏速度、弓法与指法探讨——析保罗.托特里埃版本第一、第三组曲

A Study of the Speed,Bowing and Fingering of the Performance of Bach's Unaccompanied Cello Cento——An analysis of Paul Tortelier's No.1 and No.3 Centos

巴赫无伴奏大提琴组曲结构严谨,富于哲理性和逻辑性。高度理性又平易近人,内涵深刻,充满人文主义的思想,是大提琴演奏者技术与修养的试金石,也是各种国际大提琴比赛的首选参赛曲目之一。保罗.托特里埃演奏的巴赫无伴奏大提琴组曲曾被评为最权威的演绎,他编订的最新巴赫无伴奏大提琴组曲版本被认为是最优秀的版本之一。由于每一位演奏者生理条件、艺术修养和演奏技术的差异,演奏巴赫无伴奏大提琴组曲时可能会对速度、弓法与指法有不尽相同的安排,以适应自己的演奏水平和风格,以便更好的演绎巴赫组曲。

Bach's unaccompanied cello cento has precise structure,and has philosophical and logical senses.It is highly rational and accessible with profound connotation and humanistic thinking.It is a touchstone of the technique and cultivation of a cello performer.Also it is one of the favorite music pieces in all kinds of international cello competitions.Paul Tortelier's performance of Bach's unaccompanied cello cento was once judged top show.The new edition of Bach's unaccompanied cello cento he compiled is consid...