摘要
近代“同光体”作家常常被视为“顽固派”,其实是冤枉了他们。他们并不拒绝改革,也主张引进西学,他们只是反对完全用西学代替中学,仍然坚持以中学为本位,尤其是坚持中国传统道德的立场,这就是他们复古主义的依据。他们普遍采取一种保守中国传统文化的立场,力图打通中西古今,复兴中国文化。他们中的绝大多数是爱国主义者,强调写诗要抒写自己的感受。他们在创作上有自己的特点,继承了古代文学“黍离之悲”的传统,达到近代很高的成就。
"Tongguang Ti" writers in modern history are always thought to be "stubborn", which is actually a misunderstanding. They didn t oppose to reform, and they even insisted on introducing western learning. What they opposed was totally replacing Chinese learning with Western learning. They insisted that Chinese learning should be the main body. They especially insisted on the stance of traditional Chinese morals, which was the foundation of their revivalism. They all took the stance of prote...
出处
《社会科学》
CSSCI
北大核心
2006年第9期170-175,共6页
Journal of Social Sciences
关键词
同光体
反对西化
家国之悲
Tongguang Ti
Opposing to Westernization
Sorrow for Family and Country