摘要
20世纪20年代,以上海为中心的近代出版业,不仅在生产文学文本赖以存在的报纸、书刊,也在生产作家的生存空间和话语空间(文坛),新文学的声音,正是通过这一产业机器及其市场运作,不断地被放大、复制,并牢牢地占据了社会文化中心。著名新文学社团创造社与上海泰东图书局之间的关系,向我们演示了新文学作家和出版商之间,是如何在各自目的、利益的驱动下进行斡旋,以致相互倚重、达成共谋的具体过程。这一过程使我们看到:一个外在于“文学精神”的资源整合系统——近代出版市场,在很大程度上参与了现代文学史的建构。
The establishment of Shanghai as China’s center of the publishing industry in the 1920s was not only marked by the flourishing of newspapers, magazines, and books, which formed the foundation of literary production, but also evidenced in the expansion of the living and discursive spaces of writers. It was through this mechanism that the voice of modern Chinese literature was broadcasted and reproduced. The famed Creation Society and Shanghai Taidong Publishing House served as a vivid example that illustrate...
出处
《社会科学》
CSSCI
北大核心
2007年第1期169-176,共8页
Journal of Social Sciences