摘要
中国文人画是中国艺术发展中的一朵灿烂的奇葩,在这朵奇葩中,尤其值得我们注意的是文人画家们思维模式的发展与变化。从文人画诞生之初,它们的思维就没有仅仅停留在传统绘画对客观的、具象的形相思维探索之中,更多的是将这种具象的形质引申到无限的、虚无缥缈的人生境界中。当然,这种思维模式由"外师"到"内省"的转变并不是绘画发展与生俱来的,它需要漫长的文化与哲学的积淀,也同样离不开宗教的渗透,尤其是禅宗对中国文人绘画思维方式的影响。
In the development of Chinese art,Chinese Literati Painting is a rare flower,in which the development and transfer of the thinking mode of these literator painters especially deserve our attention.Since the appearance of Literati Painting,their thoughts have never stopped on the level of the traditional painting s search for objective and concrete images,rather,for the most,they have extended these concrete images into the infinite,entirely imaginary stages of life.Of course,the tansfer of such thinking mod...
出处
《贵州大学学报(艺术版)》
2008年第1期53-55,共3页
Journal of Guizhou University Art Edition
关键词
禅宗
思维模式
文人绘画
Zen Buddhism
thinking mode
Literati Painting