摘要
利用历史文献资料,结合体育舞蹈教学的专业技术,对杜甫《观公孙大娘弟子舞剑器行》诗中所谓"公孙大娘剑器舞"的道具、套路及其在中国舞蹈史上的地位作初步探讨。认为公孙大娘剑器舞是一种女子戎装持剑表演的健舞,公孙大娘表演的剑器舞至少有四个套路,即剑器浑脱、西河剑器、邻里曲与裴将军满堂势,并从她成就了"草圣"张旭的书法艺术及其在中国舞蹈历史上的崇高地位来肯定公孙大娘剑器舞的深远影响。
By analyzing the historical literatures and personal experiences in teaching,the author makes a tentative study on the props,movements of Gong sun da niang′s sword-dance and its status in dance history.It is supposed that Gong sun da niang′s sword-dance is a kind of performing dance in which actress are dressed in martial attires and holding swords.At least four movements of the dance are recognized,namely,"Jian qi sha tuo","Xi he jian qi","Ling li qu","Pei jiang jun man tang cai".And it is her sword-dance ...
出处
《西安文理学院学报(社会科学版)》
2007年第3期110-113,共4页
Journal of Xi’an University(Social Sciences Edition)
关键词
公孙大娘
剑器舞
道具
杜甫诗歌
张旭草书
Gong sun da niang
sword-dance
prop
Du fu poetry
Zhang xu cursive hand