摘要
郭若虚在其画史名作《图画见闻志》中,提出了绘画的"心印"说,认为绘画是"本自心源,想成形迹"。他的这一命题,不仅体现了北宋理学中的"心性"学说对其绘画美学思想的影响,而且也反映了北宋中后期在理学侵浸下绘画发展的新方向。
In his historic painting work Pictures of What One Sees and Hears,Guo ruoxu proposed the theory of 'images of the mind' in which painting 'derives from the mind and becomes shape marking',this proposition not only embodies the influence of 'mind' theory of the jurisprudence of the Northern Song Dynasty on its painting aesthetic thoughts,but also reflects the new direction of painting development under the affection of jurisprudence of mid-and late Northern Song Dynasty.
出处
《开封大学学报》
2007年第3期19-21,共3页
Journal of Kaifeng University
关键词
郭若虚
理学
心性
气韵
心印
Guo ruoxu
Jurisprudence
mind
spirit
images of the mind