摘要
中国古代画论是传统文化大背景下发展的产物 ,现代的研究应从艺术功用、艺术思维、艺术创作中的物我关系、中国画艺术的传承与创新关系四个主要方面找出其与传统文化的契合点 ,才能从深层次发掘中国式的绘画艺术创作中主体的能动性和在其发展中的轨迹。
This paper explores from four aspects the ancient Chinese drawing theories in a cultural perspective,providing a new view on the relations within drawing world of its artistic features and Chinese traditional culture,a view on the connections of art function,thinking mode of art,objective existence and the self relation,inheriting creating relation,and the whole Chinese cultural spirit,hence sketching in the light of harmong and the doctrine of the mean an outline of the artists initiative and creative drawing model in the development of Chinese drawing art,and pointing out the perceivers role in the art field.
出处
《韶关学院学报》
2001年第11期98-107,共10页
Journal of Shaoguan University
关键词
古代画论
中国传统文化
艺术创造
ancient Chinese drawing theories
Chinese traditional culture
art creation