黄遵宪、梁启超诗歌理论批评及其它

Huang Zunxian's and Liang Qichao's Criticism about Poetic Theory

中国文学至“戊戌维新”运动前后才在总体上有了剧变,“现代意识”方在此期逐渐确定。因此,中国新诗理论批评史应从1898年前后开端。黄遵宪的诗论较为系统,在反叛传统诗歌的基础上,他从诗歌的语言、形式和思想内容等诸方面提出了诗歌的革新主张,有些论述已呈现出现代白话诗的雏形。梁启超在论诗上比黄遵宪要大胆和急进。他提出的“三长”说涉及到诗歌内容和形式的革新,但“旧瓶装新酒”的诗界“革命”论有其明显的历史局限性。他对诗歌音乐性的提倡值得我们思考。

The dramatic change of Chinese literature took place about the Constitutional Reform and Modemization of 1898.Its“modern sense?gradually took its shape in this period. Therefore, the history of Criticsm about china抯 new poem theory shoud begin about 1898.Huang zhanxian抯 theory about poerty was relatively systematic On the basis of anti traditional poetry,he set forth innovation ideas about poetry in terms of its language,form and content.some of his statements took on the embryo of modern poems. Liang Qichao抯 theory about poems is bolder and more radical than that of Huang Zhunxian liang抯 theory of 搕hree necessary conditions攊s about the innovation of poem content and form. However, such poetic“revolution?featuring 搊ld bottles with new wine?obviously has its historical limitation.His advocation of poem musicality is worth our consideration.