乐感与画意——从心物关系看古诗到律诗的审美趣味转变

Musical Sense and Painting Image ──the aesthetic interest of ancient poems?evolution into metrical poems from the perspective of the relation between the mind and objects

古诗演进为律诗,不仅是表层语言形式上的格律化,更是情感对象化和形式化。诗歌是心与物的复合体,诗歌的乐感来自情感的宣泄、心灵的律动,画意来自物象的自我呈现。从心物关系角度看古诗到律诗的审美趣味转变过程可知,先秦汉魏诗富于乐感,六朝诗胜于画意,唐律诗将二者合流,达到心物在更高层次上的融合。唐律诗意象的精深正有赖于六朝之际对物象的普遍关注。

The evolution of ancient poems into metrical poems embodies not only the change of words into metrical patterns but also the transformation of sentiment and emotion into objects and forms. A poem is the complex of mind and object. The musical sense of poems comes from the expression of sentiment and emotion, and the rhythmic move of the mind. The painting image comes from the self-presentation of objects. The change of aesthetic interest from ancient poems to metrical poems in terms of the relationship between the mind and objects shows that poems in Qing, Han, and Wei dynasties are rich in musical sense while poems in the six dynasties are better in painting images, that metrical poems in Tang Dynasty make the two combined to reach the merge of the mind and objects in a higher level. The profound images in poems in Tang Dynasty depend on the universal concern of objects on poems in the six dynasties.