摘要
菲华作家 90 %来自闽南农村 ,他们有着强烈的故乡情结 ,因此 ,他们表述了浓烈的怀乡之苦 ,及对故国母怀的深深依恋。而随着他们家国意识的转变 ,菲华文学中的乡愁也逐渐由地域乡愁转化为文化乡愁 ,由此构成了菲华乡愁文学的多层次性、多流向性。
Ninety percent of the Philippine-Chinese writers are from the countryside of southern Fujian province.They have a strong concept of ties of blood and complex of hometown.So in foreign country,they express their strongest feelings of most painful homesickness and the attachment to their motherland in a sad way.As time goes on and the overseas Chinese concept towards their motherland changes, the homesickness of the Philippine-Chinese literature takes new connotation.It gradually changes from regional homesickness to cultural homesickness.In this way,Philippine-Chinese homesick literature has its characteristics of multiple echelons and multiple directions.
出处
《韶关学院学报》
2002年第10期30-33,共4页
Journal of Shaoguan University
关键词
菲华文学
地域乡愁
文化乡愁
Philippine-Chinese literature
regional homesickness
cultural homesickness