摘要
从人类学的角度来考察《边城》 ,发现它的整个旋律是由和谐不断向变奏演进 ,“三层次均衡和谐”的边城最后土崩瓦解了。《边城》与其说是一只悱恻动人的爱情牧歌 ,不如说是一只悲切哀婉的风俗挽歌。
In the perspective of anthropology, the whole melody of the Border Town is found to be a gradual evolution from harmony to variation. The border town with 'three levels balance and harmony' collapses at last. The border Town is more a grievous custom elegy than a moving love eclogue.
出处
《洛阳大学学报》
2002年第3期83-86,共4页
Journal of Luoyang University
关键词
湘西
苗民
风俗
三层次
和谐
变奏
Xiangxi
the minority of Miao
three levels balance and harmony
harmony
variation