摘要
与西方小说相比,中国古典小说多以言行来间接暗示人物心理,而非情节性的直白式心理描写则比较少见。这种间接而含蓄蕴藉的心理描写方式固然能给读者提供审美创造的自由空间,然而,直白式心理描写的缺失,也使读者无从直接获知人物言行背后的心理动机,而只能通过人物言行的暗示来作出种种揣测,从而造成对人物形象解读的差异性;有时缺少心理流程的描写,也影响到对人物性格的认知。
Compared with the Western novels,the direct psychology portrait was absent in the Chinese classical novels.This indirect and implicit psychology portrait led to the large aesthetic freedom.But we can not know the true idea of the characters because of the absence of the direct psychology portrait.We had to guess their idea from their language and action,which usually led to the disputation in understanding the characters.
出处
《商丘师范学院学报》
CAS
2008年第2期29-32,共4页
Journal of Shangqiu Normal University
基金
2007年黑龙江大学青年科学基金项目(编号:QW200604)
关键词
直白式心理描写
缺失
人物解读
争议性
direct psychology portrait
absent
character understanding
disputation