摘要
仪式音乐作为非物质文化遗产的重要组成部分受到学界普遍关注,其"整体性"思路为后续研究提供了有效的借鉴和参考。赣南客家祭祖仪式中的音乐具有典型文化特征,"乐班混奏"现象是存在于这一特定环境中的活态形式,通过剖析这一现象的深层结构,揭示其多样性的深刻内涵,提出用更开阔的视野关注人类共同的非物质文化遗产,以求传承和发展的不竭动力。
Ritual Music is an important part of intangible cultural heritage which has been regarded in academia.The music of Ancestor-worshipping Celebration of Gannan Hakka has a lot of cultural characteristics;the phenomenon of "Chinese band and brass band play together" as a kind of living culture exists in that situation.This paper revealed the intension of "cultural diversity" by analyzing the phenomenon,and therefore the study must be made in a wide-field.
出处
《赣南师范学院学报》
2008年第1期42-45,共4页
Journal of Gannan Teachers' College(Social Science(2))
关键词
非物质文化遗产
仪式音乐
客家祭祖
乐班混奏
intangible cultural heritage
ritual music
ancestor-worshipping celebration of Hakka
Chinese band and brass band play together