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“五声”汉字字调标示法略考——兼谈永明声律论与音乐之关系 被引量:1

Investigation into the Method of Marking Tones of Chinese Characters with Pentatonic Scales
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摘要 “五声”(宫、商、角、徽、羽)是否曾经作为汉字字调的一种标示方法?它与“四声”字调标示法之间又有着怎样的关系?本文通过考证“五声”作为古代的一种数字序号曾被用于给汉字按照字调分类的事实,来证明早在沈约的四声说之前,汉字便拥有了“五声”字调标示法。并通过探讨“五声”字调标示法与音乐的联系,进一步揭示永明声律论的产生同音乐的关系。 Were pentatonic scales(宫、商、角、徽、羽) once used as a method to mark tones of Chinese characters? What relationship between it and the method with the four tones? Based on the fact that the pentatonic scales were once used to as order numbers to classify Chinese characters by tone in ancient times,the author proposes that the marking method of tones of Chinese characters appeared much earlier than Shen Yue s four tone theory. The relationship between this method and music is also discussed,thus the relationship ...
作者 贾兵
出处 《辽东学院学报(社会科学版)》 2006年第6期59-63,共5页 Journal of Liaodong University:Social Science Edition
关键词 五声 四声 永明声律论 音乐 pentatonic scales the four tones The Sound Theory in Yongming Period music
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参考文献3

  • 1陈寅恪.四声三问[J]清华大学学报(自然科学版),1934(02).
  • 2(南朝梁)钟嵘著,徐达.诗品全译[M]贵州人民出版社,1990.
  • 3[日]弘法大师 原巽,王利器 校.文镜秘府论校注[M]中国社会科学出版社,1983.

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