摘要
《山乡巨变》塑造了邓秀梅、李月辉、盛佑亭等30多个基层干部和南方农民的形象,表达了作者对乡土人物在历史推进过程中命运的深重忧虑。亭面糊作为当时新旧意识冲突下地道的湖湘农民的代表,他不仅是源于生活,高于生活的艺术典型,也是作家“承受着一切塑造典型的伟大艺术家的遗产”、“把握住新的现实主义创作方法”的成果与结晶,是益阳老头中的“这一个”。
In the novel Great Changes in the Mountain Villages,the author Zhou Libo molded more than thirty images of grassroots cadres and the south farmers,such as Deng Xiumei,Li yuehui,Sheng Youting,and so on,which expressed author’s deep worry to native figures’ fate in the history of the process.Ting Mian-hu,as a typical Hunan peasant image in the conflict between new awareness and old one,is not only an artistic image from life and above life,but also the author’s receiving heritage of typical images created by ...
出处
《湖南城市学院学报》
2006年第6期22-26,共5页
Journal of Hunan City Univeristy
基金
湖南省社会科学基金立项课题(06ZC160)
关键词
周立波
《山乡巨变》
阿Q
亭面糊
“这一个”
Zhou Libo
Great Changes in the Mountain Villages
Ah Q
Ting Mian-hu
“This Old Man”