自我体认与本土方位——关于甘肃民间美术地域文化生成的思考

Self-identity in a Native Perspective——A Dynamic View of the Regional and Cultural Origination of Gansu Folk Fine Arts

独特的地域环境和民族文化背景在甘肃原生态民间美术数千年的生存与发展中始终扮演着一个十分重要的角色。然而,在全球一体化进程中,这两大因素不同程度的蜕变使民间美术正面临着被逐渐同化甚至日益消亡的趋势。本文通过实证的方法,针对甘肃民间美术的地域生存环境和民族文化背景两方面因素,立足于民族文化的本土立场来思考当前甘肃民间美术在多元文化走向一体化的过程中如何实现自我体认和本土化定位从而维护自身的生存与发展。

The unique regional environments and native background have played a significant role in enabling Gansu virgin folk fine arts to originate and evolve over thousands of years.However,in the course of globalization at present,Gansu folk fine arts are facing with a tendency to be gradually assimilated and even extincting as a result of the two degrading factors as above.Therefore,a dynamic view of the self-identity and native evaluation of the virgin Gansu folk fine arts for the purpose of survival and growth in a globally unified orbit of multiple cultures is based on both their regional environment and native background in a perspective of the native culture.