什么“音乐”的“美学”

What music the esthetics stands for

本文追问“音乐美学”是什么“音乐”的“美学”,认为中国的“音乐”和“美学”都受到西方的影响;目前的“音乐美学”是适合西方专业音乐和中国新音乐的美学,因而不是普遍性真理体系;这样的体系因没有全知者而无法建立。因此本文从反思《站在哪里说音乐》入手,就当前音乐美学研究和教学中的问题进行分析,并就全球化-中性化-西方化现状中的音乐发展问题进行分析与估计,提出未来音乐美学应关注各种文化中的音乐现象,它本身则是各种文化的音乐美学多元并置的学科,应采用后哲学的、多元社会学的、注重心灵真实的心理学的研究方法。

The paper argues that the study of esthetics must reply for what music the esthetics stands for.The author holds that the concepts of 'music' and 'esthetics' are strongly influenced by the West and the present system of esthetics suit well for professional western artistic music and the new music in China,but does not possibly cover all the music.It therefore cannot be regarded as a general system of truth in explaining music.And such a system,frankly,will never be possibly established without the omniscience.The paper thus reflects on the issues felt in the teaching and studies of the subject such as music growth in the conditions of globalization,neutralization and westernization and the musical phenomena of various cultures.It is the author's belief that the study of esthetics should be regarded as a multi-juxtaposition-area and post-philosophical,multi-sociological and authentic psychological methods should be employed.