摘要
清代文论视野中的情景论,主要在三个维面上展开:一是对情景交融的探讨;二是对情景主宾关系的考察;三是对情景创造的其他有关问题的论说。上述三个维面,进一步拓展和深化了古典情景之论,将其推到了完善的境地。
The feeling and setting criticism of literary theoretical eyesight in the Qing Dynasty mainly expand in three aspects: the conferring to feeling and setting happily blended;the inspecting to relation between host and guest of feeling and setting;discussing other questions of creating the feeling and setting.The above-mentioned three aspects develop and deepen the ancient feeling and setting criticism,pushing it to the perfect condition.
出处
《嘉应学院学报》
2006年第2期58-62,共5页
Journal of Jiaying University
关键词
清代
文论视野
情景论
展开
the Qing Dynasty
literary theoretical eyesight
the feeling and setting criticism
expansion.