摘要
在昭和初年日本无产阶级文学的鼎盛时期,日本无产阶级作家对中国无产阶级的描述显示出超越国界的阶级认同。从昭和元年里村欣三的《苦力头儿的表情》,到昭和4年平林泰子的《敷设列车》,再到昭和6年黑岛传治的《武装的城市》,日本作家对中国无产阶级的描述从日本人的单方面想象逐步发展为以中国劳工为主体的自我表述。在越来越彻底地摆脱殖民主义偏见的同时,人物塑造从模糊和自然走向清晰和符号化,思想大于形象的趋势日渐明显。
In the beginning of the Showa period,the Japanese proletarian writers accept Chinese proletarian as a brother of themselves.From Satomura's The Expression of the Cooli Chief,to Hirabayashi's Locomotive,and Kuroshima's An Armed City,the image of China written by the Japanese proletarian writers has been changed from a passive ocject to an independent subject that can express themselves in their own words.
出处
《广东教育学院学报》
2006年第6期38-43,共6页
Journal of Guangdong Education Institute