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格律追求与现实表现的《死水》

Pursuing of Forms of Classical Poems and Realistic-Representing of "Dead Water"
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摘要 具有象征内涵的《死水》所追求的三美是闻一多纳诗于艺术之轨和倡导诗之格律的具体实践。这不仅与其深厚的古典文化素养有关,也与其方正性格有关。虽然《死水》在追求唯美方面达到极端,但又是他现实人生底基石上的至情至性作品,是他这张“唱片”在苦难大地上发出的惊天叫响。 The Three Aesthetics which Wen Yiduo pursued were exactly the idiographic practice of his theory.They were not only related to his profound classical culture attainment,but also related to his righthearted and rhadamanthine personality.Although the Dead Water achieved the extremeness of estheticism pursuing undoubtedly,it was also a great work based on Wen Yiduo's real-life experience and reflected his emotion and thoughts.It was a gigantic call of the distressful world as Wen Yiduo was a gramophone of that society.
作者 李乐平
出处 《河南科技大学学报(社会科学版)》 2006年第5期57-60,共4页 Journal of Henan University of Science & Technology(Social science)
关键词 <死水> 闻一多 新诗 格律 'Dead Water' Wen Yiduo new poems forms of classical poem
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