评贾平凹《高兴》中以喜状悲的美学观

Aesthetic Art of Delight for Sorrow in Jia Pingwa's Long Novel Happy

贾平凹的长篇小说《高兴》,运用以喜状悲的艺术手法,凸现了人物主观愿望与客观实际的巨大反差,彰显了他们命运的悲剧色彩。作者写喜只是手段,只是铺垫,突出悲才是目的,才是正意所在;作品表象言喜,实质写悲;喜中之悲,愈显沉重。因此作品形成了一种独特的以喜状悲的美学艺术,把现实的悲剧和喜剧融合成更深沉、更悲壮的审美形态,开创了美学领域的新境界。

Jia Pingwa s long novel Happy which uses delight for sorrow to the art practices shows the enormous contrast of the figures subjective desire and objective reality,and highlights the tragic color of their destiny.The author highlights the sorrow,which is the purpose by taking delight as only a means and a bedding.His work presents delight superficially,but writes sorrow essencely.The more sorrow appears in the happy event,the heavier the work is.Therefore,the work has formed a distinctive aesthetics art of...