摘要
北宋徽宗时期,虽然仍有少数诗人如皇帝和个别近臣生活于社会的最上层,但绝大多数诗人都被甩到社 会的下层。元祐诗人受到残酷的政治迫害,而后进诗人或缺乏进入仕途的机会而终生布衣,或虽有幸进入仕途却沦 于下僚。同时,相对于元祐诗歌高潮时期,此时诗人交游、唱和活动也大大减少,并且出现了新的特点:一是学黄的诗 人视艺术为生命,他们悄悄地聚集,在民间逐渐形成了“江西诗派”;一是徽宗皇帝亲自组织与近臣的唱和,以歌咏升 平。
During the Emperor Huizong's periond of North Song Dynasty, though a few poets like the emperor and some intimate officials belonged to high social classes, the great majority of poets were thrown to low classes. Yuanyou poets suffered from severe political persecution and backward poets had no chance to become officials and remained common people, or, if lucky enough to enter the official circle, at most became a subordinate. And, compared to the climax of Yuanyou poetry, poets' activities in this period of meeting and responsory greatly decreased, and new phenomena appeared: on the one hand, the poets learning from Huang Tingjian took poetic art as dear as life and assembled quietly, forming 'the Jiangxi school of poets' among the people;on the other hand, Emporer Huizong organized in person responsories participated by himself and his intimate officials, singing for peace.
出处
《阜阳师范学院学报(社会科学版)》
2005年第6期40-44,共5页
Journal of Fuyang Normal University:Social Science Edition
关键词
徽宗时期
生活状况
唱和活动
江西诗派
Emporer Huizong's period
move downward
responsory
Jiangxi school of poets