摘要
以二李(李、李煜)一冯(冯延巳)为代表的南唐贵族词,虽然仍以男欢女爱、离愁别绪为主要描写对象,系花间词的余绪,但却有着其自身的特点与成就。其一是继承与发展了以韦庄为代表的“花间别调”;其二为词人主体意识的介入,使词的感伤情调更为强烈;其三即“兴发寄譬”的类型特征与优雅清丽的艺术风貌。这些特点的存在,显示着南唐词于渐变中已向“士大夫词”的迈进。
The Aristocrat Ci of the Nantang Dynasty,which was represented by two LIS(Lijng and LiYu)and one FENG(Fengyansi),had the characteristics and achievements of its own,although its mainly descriptive objects were the love between man and woman and the feeling of parting,which were the relic of Huajian Ci.One of them was inheriting and developing Huajianbiediao represented by Weizhuang;two was the intervention of subject consciousness of the authors;three was the typic feature of Xingfajipi and the artistic scene of elegance and pure.The existing of these Characteristics meant that Nantang Ci was Changed into Shidaifu Ci gradually.
出处
《菏泽学院学报》
2005年第6期1-5,共5页
Journal of Heze University
关键词
二李一冯
南唐词作
花间余绪
兴发寄譬
优雅清丽
Two LIS One FENG
Nantang Ci
the relic of Huajian
Xingfajipi
elegance and pure